A repertoire path
with room to grow.

Legato line and simple registration

Manuals-only articulation and a bright solo color

Steady pulse and tonal control

Compact phrasing and clean changes of touch

Chorale melody and hymn phrasing

Independent lines without a large technical burden

Pedal points and sectional form

A repeating bass pattern and Romantic sonority

Three-part independence and articulation

Careful suspensions and a poised chorale line

Ornamented melody and legato control

Expressive voicing in a compact Romantic form

Solo registration and French ornamentation

Modal color and twentieth-century phrasing

Voicing and Romantic color

Plainchant treatment and controlled independence

Romantic line and registration

Layered color and patient rhythmic control

Large-scale phrasing and formal direction

Quiet service music and expressive legato

Color, texture, and long musical lines

Articulation, momentum, and reliable finishing

Uneven meter and rhythmic confidence

Festive registration and ceremonial sweep

Architecture and contrasting national styles

Trio texture and an independent cantus firmus

Virtuosic pedal work and counterpoint

Variation form, color, and stylistic imagination

Symphonic form and dramatic pacing

Rapid figuration, stamina, and cumulative pacing

Rhythm, color, and theological expression

Virtuosic chant treatment and precise pedal technique