Wer nur den lieben Gott lässt walten, BWV 642
Johann Sebastian Bach
Baroque3 documented performances
Last played Oct 25, 2026Organ music in practice
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Showing 17 of 17 works
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Improvisation on Be Still My Soul
Improvisation
1 documented performance
Last played Sep 20, 2026Toccata on Lift Every Voice
Mark A. Miller
Contemporary1 documented performance
Last played Jul 5, 2026Prelude on Deep River
Adolphus Hailstork
Contemporary1 documented performance
Last played Jun 14, 2026Toccata on WACHET AUF
Paul Fey
Contemporary2 documented performances
Last played Dec 21, 2025Toccata on VENI EMMANUEL
Andrew Carter
Contemporary2 documented performances
Last played Nov 30, 2025Advent Hope
David Lasky
Contemporary1 documented performance
Last played Nov 30, 2025Andante from Faith, Hope, Love
Felix Bräuer
Contemporary1 documented performance
Last played Sep 21, 2025Chorale from Faith, Hope, Love
Felix Bräuer
Contemporary1 documented performance
Last played Sep 21, 2025Fantasie from Faith, Hope, Love
Felix Bräuer
Contemporary1 documented performance
Last played Sep 21, 2025Jesus meine Zuversicht
Christian Friedrich Daniel Schubart
Classical1 documented performance
Last played Aug 3, 2025Wer nur den lieben Gott lässt walten
Christian Reichardt
Classical1 documented performance
Last played Jul 20, 2025Improvisation on WACHET AUF
Improvisation
Improvisation1 documented performance
Last played Feb 16, 2025Chorale Prelude on Wachet auf
Max Reger
20th century1 documented performance
Last played Feb 16, 2025Nun komm, der Heiden Heiland, BWV 599
Johann Sebastian Bach
Baroque · Building independence2 documented performances
Last played Dec 8, 2024Es ist ein Ros’ entsprungen, Op. 122, No. 8
Johannes Brahms
Romantic · Building independence3 documented performances
Last played Dec 1, 2024Rorate caeli, Op. 8, No. 1
Jeanne Demessieux
20th century2 documented performances
Last played Sep 29, 2024About this archive, themes, and counts
120 documented dates · 123 events · 385 program items. Separate services and recitals on the same date are counted separately when the source identifies them. A work used twice in a program counts as two performances.
Work themes draw on hymn texts, scripture, and titles. Service themes come from readings and liturgy. Open an entry for a short explanation and sources.
Some programs are incomplete. An absent entry does not mean the piece was never played. Suggested teaching works can appear without a performance date. Historical dates and attributions follow the available documentation; uncertainty is retained rather than filled in.
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